Emma and I are about to start our next adventure ... A quick one-week trip to Ireland.
In preparation, I'm doing everything I possibly can to confuse my senses. As I write this, I'm on a plane flying from Pacific time to Eastern. Tomorrow, we'll hop on a plane that will get us to Dublin by Monday morning. What time will my body clock think it is? I have no idea. But I know I'm going to be tired. And happy.
It's the disorientation of travel that's half the fun. That moment when I realize I've just stepped through the looking glass into a world that is familiar but strange. And that I have to look closely at not only the new things, but also the things that I might otherwise take for granted. ("Paint what you see, not what you think you see," said Mom.) Good travel means not taking anything for granted. Re-learning to see is the ethical boon.
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| The Venetian |
I'm leaving Las Vegas right now, but that was an exercise in disorientation of a different kind. Not only the bizarreness of gambling machines around every corner, the endless mirrored surfaces, and over-the-topness of every kind. But also the theme park world travel.
I went out to dinner with colleagues at The Venetian, one of the hotel / casino / resort / mall / amusement parks that seem to be the specialty of the town. It's a world within a world. My favorite part was the faux Venetian canal, complete with gondolas, blue skies, cafes, and interesting shops. The skies are amazing. At one point, it feels like afternoon, the perfect time to do some shopping. Then you go through an archway and the sky tells you it's evening, just around sunset--time to eat dinner at one of the charming Italian restaurants that have conveniently just appeared. (Outdoor seating or in? We didn't want to be chilly so we ate inside, but thankfully the windows were open.)
After the apocalypse, when we are all living in underground bunkers, this is what it will be like. The ceilings will be painted like skies, and we'll create mini versions of our favorite pre-catastrophe cities, so our children won't be deprived of our cultural splendor ...
Despite knowing full well that it was a simulacrum, some part of me felt I was really in Venice--and a better Venice than usual. It was convenient and relatively cheap, the canals didn't smell, the gondoliers sang in tune, there were no language barriers or pick pockets.
There must be many people who experience Venice or Paris or Tokyo first and foremost through an amusement park. How strange to actually then travel to one of those cities. Do they feel they've seen it all before? Does Venice not live up to their expectations, because of The Venetian?
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| Venice |
And then I began to wonder, why is the "real" Venice any more real than this? The gondolas in Venice are just as much a fiction; the charming architecture is funded every bit as much by tourism.
And really, am I likely to travel to any destination that isn't an artfully constructed illusion, intended to part me from my touristic money? The cynical, overeducated part of me knows it's all fake; the pursuit of authenticity through travel is doomed.
But the part of me that felt happy to be in Venice last night is looking forward even more to being in Dublin.